Ok, so this is only tangentially related to my research foci, but it is evocative and intriguing. I had thought about doing a similar video installation (on my list of 9,383,832,928 things to do) that explores our running narrative about seeing people and their visible identity locations (or the assumptions I’d make about them) in public spaces.
Anthropologist Andrew Irving has recorded 100 people verbally narrating their inner thoughts in New York City as they walk through the streets. I found this part of the artist’s particularly compelling:
“…once urban life is understood as a whole-body phenomenon—indivisibly combining inner speech and imagery, muscle movement, the circulation of blood, heart-rate and the nervous system—it reinforces the idea that the seemingly congruent social activities we observe in a city are differentiated by diverse inner lifeworlds that remain uncharted across the social sciences and humanities.”
The idea of inner speech, imagery, muscles, blood, and nervous system all working together in a symbiotic relationship – this is exactly what many of us are trying to do with our acting students when they are working on text. And I particularly enjoy the emphasis here on urban life. Often, as voice teachers, we resort to a lot of nature imagery and metaphors. We often use our voice classes to escape our modernized world and get back to what is “natural” and “organic.” I’m interested in shifting the binary of nature = good/urban and modern = bad. Is nature imagery important to voice work, text work, poetry work? Omigod, yes. Especially if the text was written among those landscapes of yore. Can urban living create habitual tension in our bodies from low levels of the fight or flight reflex? Definitely. Living a city can have a negative impact on our ability to be vulnerable. That being said, what I like about this video project is that I see some green shoots springing out of some of these established paradigms. How do we, as students, artists, society, find a way to be expansive, empathetic, and vocally open within an urban environment? Can we challenge ourselves to use urban landscapes to explore our vocal potential?
For more information on Irving’s project, you can go here.